Picture
USA. 2012. Directed by Rian Johnson. Story by Rian Johnson. Starring: Joseph Gordon-Levitt, Bruce Willis & Emily Blunt

Rating: ★★★½

Looper is the type of film that leaves you questioning everything you know about time travel! The science fiction thrill and thought behind it is evident as the movie progresses. The basic story is about a man named Joe who is played by Joseph Gordon-Levitt as the young Joe and Bruce Willis as the older Joe who are future contract killers called ‘Loopers’.

In the year 2074 civilization have created time travel however it is highly illegal to use. It can only be accessed by the biggest criminal mafia organisations in the world. In this future they can no longer simply kill a person & hide their bodies due to personal tracking devices. So instead they send the victims back 30 years and a looper’s job is to kill them and dispose of their body. Making them simply another blip in the missing persons lists. But when young Joe comes face to face with his older self who was sent back to get killed. He hesitates only for a minute and that’s when the plot takes off.Young Joe is determined to go through with killing his older counterpart something which their industry called ‘closing the loop’. They get paid a hefty amount and live their life in luxury for the next 30 years. But the plot thickens when older Joe manages to escape. Only to contact his younger self again to explain his current situation, unsure whether young Joe will choose to help him or continue with his determination to ‘close his loop’.

The storyline was quite confusing to digest and the plot did have many holes, but the movie does a decent job of explaining itself. To be frank, no time travel movie ever makes 100% sense, especially when the characters start crossing paths with themselves. You’ll always question ‘shouldn’t he have remembered what he did and saw everything coming?’ But generally if you come into the film with an open mind and are willing to let go of some of the flaws, it will definitely entertain you and leave you riveting.

The story had emotion, action and sentimental value. We laughed, we cried and we were hooked as it became more and more intense as the hunter became the hunted. The underlining message is profound and it will leave you thinking about it well after you’ve left the cinemas. It’s hard to walk away from Looper and say it’s just another typical pointless action film. And that in my opinion; is enough to pass as a good quality film. Lastly the acting from all three of the main casts were outstanding. This movie proves the legendary Bruce Willis still has it in him. I give this movie a 3.5/5!

Also have to say, I didn't think they could pull off Joseph Gordon-Levitt as a young Bruce Willis. But the make up was pretty darn good. I can definitely see essence of Bruce's hay days in Joseph's made up face
 
Picture
New Zealand. 2010. Directed by Taika Waititi. Screenplay by Taika Waititi. Story by Taika Waititi. Starring: Taika Waititi, James Rolleston, Te Aho Aho Eketone-Whitu

Rating: ★★★★

Boy is a simple but emotionally powerful story about growing up, relationships, following your head over your heart and drawing the line between right and wrong. It's easily one of the best New Zealand films ever made. It's Rich characters and humorous dialogue, entailed by the occasional light-hearted hand drawn animations delivered a hugely entertaining blend of culture, comedy and drama.
 
The story started on a perfect note with Boy played by James Rolleston giving his show and tell speech in the classroom. It introduced the character, his background and set the atmosphere, mood and setting all in one go without being a dull lead up. Taika Waititi (who also plays the dead beat father) did an amazing job in setting out each detailed scene with the occasional Michael Jackson tributes giving the film an even disperse of light laughter at the same time appropriately moving the plot along.

The film gave a heart aching recount on every boy's natural instinct to worship their father, whether they deserve it or not. The growth and resilience of each character portrayed superbly by every single actor from the child stars to the minor adult characters was a pleasure to watch. It still brings a smile to my face today. Pure brilliance...

 
Picture
Australia. 2010. Directed by David Michôd. Screenplay by David Michôd. Story by David Michôd. Starring: Guy Pearce, Joel Edgerton, Ben Mendelsohn, James Frencheville, Jacki Weaver

Rating:
★★★★½

Animal Kingdom is a riveting insight into a 1980’s Australian crime family. The film trails a teenage boy named Joshua ‘J’ Cody (Frencheville). Due to unfortunate family circumstances J moves in with his grandmother and mentally unhinged uncles.

New comer James Frencheville portrays the slow & vulnerable teenager, flawlessly. His pensive dopey expressions are approriate enough to gain sympathy without rendering him useless. Jacki Weaver’s performance as the grandmother is also absolutely amazing. Her sweet, doting, polite characteristics can also be seen as eerily threatening as the plot progresses.

Picture
The film’s intensity does not waver from start to finish and is definitely not for light hearted entertainment. Animal Kingdom is a perfect depiction of the different rapacious instincts & cunning decisions brought out in each person for their own survival.

**Spoiler Alert**
The one scene I can’t seem to shake, is when J is on the run from his uncle and attempts to get his girlfriend’s family out of their house. To avoid alarming them for their own safety, he simply asks for a lift to the shops. As the family bustles around to leave, the urgency in J’s eyes enclosed by his calm demeanour was insanely nerve racking. I was so intensely enveloped in the scene I began chewing on my hair without even realising it. Not many films have ever caused me to chew on anything other than popcorn. Two thumbs up!
 
Picture
USA. 2010. Directed by Mike Newell. Screenplay by Boaz Yakin, Doug Miro, Carlo Bernard. Story by Jordan Mechner. Starring: Jake Gyllenhaal, Gemma Arterton, Ben Kingsley

Rating: ★★★½

To bring out yet another film based on a video game (and with the quality of past video game films like Tomb Raider, Doom, etc) immediately heightened my critical scepticism. But as soon as the first scene leapt on screen, I was pleasantly entertained from start to end. Jerry Bruckheimer and Disney already accomplished a similar feat when they brought Pirates of the Caribbean to the big screen, a movie based on a theme park ride and reigniting the spark in a overly common dwindling genre.

There was really nothing I could criticise too harshly about the film. Some of the scenic choices seen in Prince of Persia were nothing short of breathtaking. The storyline and character development were just enough of an explanation to move the plot along without taking away from the action. No useless characters or WTF dialogue. The theme explores the idea of strong family values, which is a unique take on Hollywood’s usual action packed box office films. It took all the best parts of the original game bringing back the childhood nostalgia but finely tuned the good old Prince of Persia experience. The protagonist prince Dastan (Gyllenhaal) was introduced to the audience as loveable character, immediately intriguing us to follow this underdog’s story. Gyllenhaal who really bulked up for the roll showed off his impressive athleticism and fancy footwork which gave the action scenes a distinct look and feel; and frankly less boring to watch.

Picture
**Spoiler Alert**
Of course there were annoying little flaws here and there throughout the film that could have been addressed better. Like the occasional awkward romantic moments between Dastan & Princess Tamina (Atertan) or the underuse of the Dagger in critical moments. And worse of all the typical Disney airy fairy happy ending which is as bad as ‘I woke up and it was all a dream’ (an amazing dream at that). But overall entertaining and amusing for what it was, great cinematography, likable characters portrayed by decent actors and an original plot and theme delivered through substantial script and storytelling.

There was no distinctly stupid or funny scene that I can recall, but I did love the 360degree rotation of Dastan standing on the roof’s edge during battle. Which reminded me a lot of the Assassin’s Creed video game and for an instant I thought he’d jump off and land in a shallow hay barrel (often used in the game). But instead he tied a rope to his ankle and managed to jump into the level below in one swift impossible manoeuvre, that gave me a little chuckle.

Looking forward to the next Jerry Bruckheimer & Disney collaboration - The Sorcerer’s Apprentice.
 
Picture
Hong Kong. 2007. Directed by Kar Wai Wong. Screenplay by Kar Wai Wong, Lawrence Block. Story by Kar Wai Wong. Starring: Jude Law, Norah Jones, Rachel Weiz, Natalie Portman, David Strathairn.

Rating:
½

My Blueberry Nights is a delightful film about heart break, healing and finding your way to someone who cares. I know it's a cliché topic and tirelessly overdone, however it’s all about the way a story is told that makes it perpetually memorable. Kar Wai Wong managed to concoct a blend of intricate dialogue, progressive storytelling and simple yet effective camera techniques to express an artistic approach to life and what we’re all searching for, love
.


The film is set in motion when Lizzie (Jones) suspects her long term partner is having an affair and comes to the cafe owned by Jeremy (Law) to dish more information of who he spent  Saturday night with. Her heart break and loneliness led to long conversations through the night with Jeremy over blueberry pies and the histories of  the bunches of keys left behind by random customers. Although Jeremy’s companion is greatly appreciated and most girls would’ve swooned over the idea of spending endless nights in deep conversation with a handsome, gentle and thoughtful young lad, Lizzie’s fears of confrontation drove her away and thus began her journey of self discovery, learning and recovery.

Picture
Upon her soul-searching journey, Lizzie meets a number of offbeat characters that she learns and grows from, all the while sending postcards to the kind hospitable cafe owner who takes the journey with her in spirit. The parallels drawn from life and a poker game, encountered by Portman's character Leslie, were a profound take on how Lizzie sees the world and what she chooses to take from that life lesson. Soul searching journeys always fascinate me because I've always dreamt of one day, going on a trip that would change my life. We've all traveled and discovered more about ourselves each time bringing a tingling sensation of change in the early stages upon our return, but everything tends to settle back into routine... until our next trip.

**Spoiler Alert**
My Blueberry Nights was an insightful view into all walks of life and the fears and doubts everyone must face to move to a better place within themselves. My absolute favourite scene was when Jeremy shows Lizzie the different pastries he makes and how there's always an entire blueberry pie by the end of the night ensuring her that 'there's nothing wrong with the pie, people simply don't want it'. That line really got to me because the immediate thought that sprung to my mind was 'I'M A LEMON MERINGUE CHEESECAKE!' there's absolutely nothing wrong with me... i just haven't found my eater yet...